Monsters’ Girlfriends

Kay

See the way the water breaks the dark river and know, he’s under there all right, trying to pretend he doesn’t see you.

His pink gills expand and contract, making a bright spot in the army green depths. You sense he wants to play, “stalking”, so you heave a sigh and perch yourself daintily on the bough of The Rita.

Don’t bring up his mother again. Even if you found her, she wouldn’t come to Thanksgiving. You’re stuck in this bowl of ancient-feeling Earth. Water vapor in your lungs forever and ever and ever.

And stop suggesting he try a pair of pants. It’s not his way and you knew that when you decided to stay in this giant terrarium. He’s watching your face under the glassy surface. He’s going under the boat again.

Gwen

“Damn it, Lawrence. You’re just going to have to learn to live with it. It’s only three or four nights a month.” You probably just sent him barreling over an emotional waterfall. Correction. Another emotional waterfall.

These Christmas-smelling conifers and atmospheric shelves of fog got old. You never thought they would, but they did.  Bored as you are, you certainly can’t entertain the notion of taking this man on a tropical vacation.

You can’t suggest any more chains or jail cells or extra-large sizes of button-up shirts. Not this close to the full moon. Not during the waning, waxing, harvest, or new. “Can’t we please find a way to get past this somehow?”

He’s staring into space and scratching his beard. You give him the talk about how maybe this is a wacky sitcom and not a tragedy. He lopes away without saying a word. If he would just go to therapy with you…

Mina

The hard brick of the castle floor is almost the same temperature as his skin. His hands and face aren’t a solid Sesame Street blue or a creamy old movie white. They’re bruised. Full of veins. Like a map of the interstate.

He’s looking at the moon and wishing it was the sun. (Again.) Find a sensitive artistic type, you said. You want romance, you said.

Don’t speak anymore. You’ve said it all in the last twenty years. Don’t talk of home improvements that would make a coffin a moot point, or of the internet and the ease with which it could bring regular clothes. “My kingdom for a t-shirt,” you screamed to him once during a fight. He fumbled self-consciously with the buttons on his cape and walked away.

Helen

Watch his hands pass slowly over the scroll, guiding his eyes. (This is the same technique a child uses to focus on the words of a page.) Scrunch your nose imagining those same hands encased in years of cracked and dried mud. Try not to imagine them falling from his forearms at any second. If this wasn’t taking so long, maybe you wouldn’t have time to think about things like this.

Don’t help him. You can’t. Not like the thick heat of the Nile or the red light of a rising desert sun. Don’t ask him, “Why should you get to live again?”

And definitely don’t laugh at him when he says, “Give again?” Desiccated ears aren’t much good. He re-sets his protruding jaw back in its socket and gets back to work.

Elizabeth

Swollen in every way, from his dark hooded eyelids to his stitched hands and feet, he moves like he’s all shame, all the time. A little soup, a cigar, and what’s the point?

His face tells the whole story. Of his worry for his soul, of his fear he doesn’t have one. But he looks like a pouting child with a head shaped like a baby. Whatever you do, don’t laugh. It never cheers him up. He’s all pride, this one.

Every creak of the dry windmill floor produces in him a self-pitying sigh. “He could’ve at least given me the body of someone normal in stature, I’m so tired of living like a Redwood.” He’s looking for pity.

His big baby head is just pouting at you. You can feel it. Don’t turn around. It’s not like you can pop on Tinder and look for another undead partner. Just brush your hair and admire its shiny white streak and let the time pass.

© Audrey Brown 2020